Vom Nil an die Themse
ORFMit Guiseppe Verdis „Aida“ wird in St. Margarethen eine Dreiecksgeschichte gezeigt, die zu einer dramatischen Entscheidung zwischen patriotischer Pflicht und wahrer Liebe führt.
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Critical acclaim & features
ORFMit Guiseppe Verdis „Aida“ wird in St. Margarethen eine Dreiecksgeschichte gezeigt, die zu einer dramatischen Entscheidung zwischen patriotischer Pflicht und wahrer Liebe führt.
NÖN: St. PöltnerLeah Crocetto was particularly convincing, touchingly showing Aida's inner turmoil and masterfully bringing out the very quiet tones amidst all the pomp.
The Sydney Morning HeraldLeah Crocetto as Aida has a voice of enveloping power and warmth, sustaining the soliloquy of act one with colour and expressively moulded line, soaring magisterially over the chorus and orchestra in the triumphal march in act two.
Opera ClickSoprano drammatico d’agilità come già Abigaille nel Nabucco, Odabella alterna momenti di alta drammaticità ad altri di più squisito lirismo. Un ruolo impervio che la possente voce del soprano californiano Leah Crocetto ha risolto con sicurezza nello svettante registro acuto, e ancor meglio nell’intensa carica espressiva con cui ha sapientemente cesellato “Oh! Nel fuggente nuvolo” e il duetto con Foresto, il suo appassionato ma debole amante.
News BreakFive weeks after releasing their first EP, soprano Leah Crocetto and her compatriots in the trio Momenti come to Adrian for a concert featuring the group’s eclectic blend of music across a wide variety of genres.
San Diego Union-TribuneCrocetto powerfully soared above the orchestra, chorus and her fellow soloists in the “Rex tremendae” section, and serenely sang the closing, hushed “Libera me.”